The calendar offers a good selection of documentaries/films, including the feature film UMBERTO D. (1952) – VITTORIO DE SICA
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5 September 19:00 – Casino room VENICE CLASSICS Umberto D. (1952) by Vittorio De Sica – Italy, 89′
ov Italian – s/t English – Carlo Battisti, Maria Pia Casilio, Lina Gennari
The film recounts the daily difficulties and small humiliations of Umberto D., a former ministerial official in Rome, and now with too little a pension: the soup kitchen, the pawnshop, the sale of books, friends who withdraw , the landlady who sublets her room. Only the maid Maria is affectionate, and her main company is that of the little dog Flaik. Maria, also alone, confides in him that she is pregnant and that the two in love with her refuse any responsibility. Feverish, Umberto is admitted to the hospital, where he tries to stay as long as possible to save on the rent. Back home, he finds renovation work in progress in view of the mistress's wedding. He looks for the dog and Maria, in tears because she has been abandoned by the two soldiers, warns him that Flaik has escaped after the mistress had deliberately left the door open. The man goes to the kennel where he finds it just in time to avoid its suppression. Around the city, he tries to beg, but his dignity prevents him from doing so. Determined to commit suicide, with Flaik in his arms, he passes a level crossing as the train approaches. The terrified dog runs away. The train passes while Umberto runs after it. The two meet again and we see them walking away playing in a driveway, while a crowd of children run towards the camera.
Director's comment
Zavattini and I had two different concepts on how to visualize, so to speak, our character and make him capable of expressing the drama he was called upon to experience to the fullest. Zavattini imagined him rather humble and of very modest social status [...]. To me, on the other hand, it seemed appropriate to place Umberto D. on a higher level, that is, making him a former state official in the precise sense that is usually given to this word. [...] my way of seeing prevailed and now Zavattini is the first to be happy about it. (Vittorio De Sica, Director and scriptwriter in front of the character, in "Script", January 1952)
Calendar:
ÖMER LÜTFI AKAD – GELIN (THE BRIDE, 1973) Türkiye, 87′
Hülya Koçyigit, Kerem Yilmazer, Ali Sen
FRANCESCO BARILLI – RED ARMCHAIRS. PARMA AND THE CINEMA [DOCUMENTARIES] Italy, 90′
MARCO BELLOCCHIO – CHINA IS NEAR (1967) Italy, 108′
Glauco Mauri, Elda Tattoli, Paolo Graziosi
ROBERT BRESSON – MOUCHETTE (ALL LIFE IN ONE NIGHT, 1967) France, 82′
Nadine Nortier, Jean-Claude Guilbert, Marie Cardinal
JACK CLAYTON – THE INNOCENTS (SUSPENSE, 1961) UK, USA, 100′
Deborah Kerr, Peter Wyngarde, Megs Jenkins, Michael Redgrave
GEORGIJ DANELJIA – JA SAGAJU PO MOSKVE (WALKING AROUND MOSCOW, 1963) USSR, 78′
Nikita Mikhalkov, Aleksei Loktev, Galina Polskikh
VITTORIO DE SICA – UMBERTO D. (1952) Italy, 89′
Carlo Battisti, Maria Pia Casilio, Lina Gennari
ALLAN DWAN – THE IRON MASK (1929) USA, 97′
Belle Bennett, Marguerite De La Motte, Dorothy Revier
MARCO FERRERI – THE AUDIENCE (1971) Italy, France, 111′
Enzo Jannacci, Claudia Cardinale, Ugo Tognazzi
CHINLIN HSIEH – GUANGYIN DE GUSHI – TAIWAN XIN DIANYING (FLOWERS OF TAIPEI – TAIWAN NEW CINEMA) [DOCUMENTARIES] Chinese Taipei, 110′
Apichatpong Weerasethakul, Olivier Assayas, Marco Müller, Kiyoshi Kurosawa, Hirokazu Kore-eda, Jia Zhangke, Tian Zhuangzhaung, Wang Bing, Ai Weiwei, Hou Hsiao-hsien