Nomadland, great cinema is back in theaters

After the blackout imposed by Covid, great cinema returns with a particular film that will make a lot of people talk: Nomadland, the story of a person who decided to live as a nomad without being considered an alternative or…
Publishing, do like Netflix? The turning point is near

Digital subscriptions seem to be the last chance for a traditional publishing industry in crisis that is trying to stay afloat by drawing inspiration from foreign models - But the price issue is crucial - Many are referring to Netflix, but it will be the way…
The "Netflix" of culture: the new all-Italian platform

Let's start with the end title: “We will enter the homes of the Italians who want to follow us and we will experience a unique and unrepeatable emotion with them. This is the magic of the Prima della Scala that this moment, however uncertain and difficult, cannot and…
The TV series “Snowpiercer” arrives on Netflix

The train of the Apocalypse is always in motion. This statement, in times of Conoravirus takes us straight to the heart of hell, not just cinematic and science fiction. The global threat, the terror of something mysterious, unpredictable, dark and uncontrollable has accompanied…
Jordan on Netflix, the event that makes Nike rich

The basketball champion confirms himself as a goose that lays golden eggs for the company that has been selling the line of customized Air Jordan shoes for over 30 years - The success of the docu-series "The Last Dance" supports the brand despite the crisis.
TV series and media, is the future interactive?

The article "Is 'Interactive Storytelling' the Future of Media?", published in the futurist magazine "OneZero", launches an interesting debate - The case of the last season of Black Mirror, on Netflix, and of the cult video game Fortnite.
The post Cinema: Forgive our debts

There is a direct, evident, tangible, visual violence and a subtle, subtle, rarefied and widespread one. The difference between the two may consist in the impact, in the moment in which it occurs, in the fraction of time it takes to reach our physical receptors and…
The post-cinema: between television and the big screen

A few years have passed, the technological Rubicon has long since been crossed, since contemporary cinema has entered the new era of completely original and different production and vision methods from the recent past. Everything has changed: from…
Netflix, Spotify and the gigantic subscription boom

Netflix and Spotify have managed to impose the streaming model in the consumption of content and at a commercial level there has been a boom in subscriptions: it is the new wave of digital business and a response to the Cambridge Analytica scandal…
Cannes 2018: the clash with the Web

Netflix is ​​to Cannes what the first steam engines were to carts pulled by oxen. The 8st edition of the International Film Festival will open its doors on 71 May and significant changes can be glimpsed in a market, at least…
Cinema: what we will and will not see at Cannes

There are 2 Italian films in the running for the Palme d'Or with Garrone and Rohrwacher. Golino and Zanasi participate. There will be no them by Paolo Sorrentino. But the real great absence is that of Orson Welles and his testament-film…
Cannes against Netflix: chronicle of a defeat

The director of the Festival has established that the films in competition for the Palme d'Or must necessarily provide for theatrical distribution - In this way, Netflix's productions remain out, which however is winning the challenge on viewers:…
China runs and Netflix gives the charge to Wall Street

Chinese GDP grows beyond expectations and the US quarterly campaign is more exuberant than expected with Netflix superstar - Syria does not scare the markets - Maxi-agreement for Intesa Sanpaolo on NPLs - Tim: today the Board and…